This again cements his iconic status, showcasing his charisma and versatility. However, the true reveal, which was held secret from audiences, was the intensive makeup work that Chaney put himself through again.Ĭhaney again brings a dynamite performance, that forces all eyes on him. He appears maniacal from the word go, even as we’re introduced to him as a silhouette. However, again the standout piece of the film remains to be Chaney. The ballroom and opera were meticulous, with Universal preserving the set despite tearing down the famous Sound Stage 28 on Universal property in 2014. Ben Carré, a former backstage worker at the actual Paris Opera, designed the backstage and dungeon areas of the set. The film brings the world of the Paris Opera to life through spectacular set pieces. Still of the Paris Opera House from Universal’s The Phantom of the Opera (1925). A combination of the two cuts was released in September and continues to be the iconic version seen today. A second version was then booed off the screen, forcing Universal to cut the film for a third time. The original film was such a disaster, Universal actually reshot the majority the film after premiering it in January. The entire crew turned on the director, Rupert Julian, and rumors suggest Chaney directed all of his own scenes. This version of “Phantom” was tumultuous, to say the least. Rather than a morally gray, or even sympathetic character, this version of the phantom is hideous and dangerous. However, this time there are no redeemable qualities in Chaney’s portrayal of the monster. Hot off his incredible performance in The Hunchback of Notre Dame (1923), Chaney jumped into the makeup of another Parisian monster. The Phantom of the Opera (1925) Lon Chaney and Mary Philbin in Universal’s Phantom of the Opera (1925).
GradeSaver, 31 July 2017 Web.As part of our Universal Monsters series, let’s look back at the two Universal productions of the beloved story.
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In order to save them, as well as the occupants of the opera house, Christine agrees to marry Erik. Christine refuses, but then she finds out that Erik has kidnapped Raoul as well as the Persian (Erik's old acquaintance) and has trapped them inside a torture chamber.
Christine later tells Raoul that she was kidnapped Raoul promises to run away with her, both unaware that Erik has been listening to their conversation.ĭuring a production of Faust, Erik kidnaps Christine again and gives her an ultimatum: marry him or he will blow up the entire opera house. The phantom decides to keep Christine prisoner for the rest of her life, but then he allows her to leave after she promises to wear his ring and remain faithful to him. When Christine unmasks the phantom out of curiosity, his ugliness shocks her. One night during a performance of Faust, with the resident prima donna, Carlotta, playing the female lead, the Phantom causes Carlotta to lose her voice and the chandelier to fall into the audience.Ĭhristine is kidnapped by the masked phantom he tells her his name is Erik and reveals her love for her. On the retirement gala for the old opera managers, opera singer Christine attracts the attention of her childhood sweetheart, Raoul. There are rumors that the opera house is haunted by a phantom who makes himself known by sending letters to the managers and by causing disturbances.
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